While in my second term of working on my degree in Photography, two out of three of my classes were photography related. One was a Documentary Photography class. Why would a portrait photographer such as myself take a Documentary Photography class, you ask? That's a good question, thank you for asking! Well, as most of you know I've been doing portraits for a while and I consider myself pretty good at it, BUT I'm always looking for ways to be more innovative in my portraits and my style, so I've decided to look at other styles of photography and see what I can merge from each style into a style that is all my own. What I found in Documentary Photography is the world of "information". It's all about what information you can get out of your photo. "If somebody 50 years found a print of mine what information can they get out of that picture alone." That's the question our professor asked us over and over again. If she asked you why you included an object (for argument purposes let’s say a tree) in your photo and you said, "I thought it looked cool" or "it helped frame the subject" or anything remotely related to aesthetics, she'd have your head! This posed an interesting dilemma for me as an artist, but also as someone who "documents" weddings for a living. We're not just making beautiful photos for our clients. We are documenting their entire day and there is a lot of information to be captured as well as the beauty of it all. We're documenting all the details (flowers, place settings, invites, food, etc.), the attendees, and so much more! But at the same point it can't look like an evidence photo. Nobody wants to see a picture of their ring next to one of those CSI yellow right angle ruler thingies. Balance is the key! Balancing the highest amount of information with a photo that is also aesthetically pleasing to look at. Because the information doesn't matter if nobody wants to look at it!
So when it was time to work on a final project I went COMPLETLEY outside my comfort zone. I didn't have 6 weeks’ worth of weddings to shoot for this, so she asked us to think about something that interested us, intrigued us, or irritated us. Immediately I thought about something that irritated me. Anyone who lives here in DC knows that everywhere you go on the DC metro there's a broken escalator. Whether completely torn apart or just not moving. There have been escalators that have collapsed and ones that the breaks fail and they go out of control! At one stop all escalators started going up, so there was no way to go DOWN into the metro station. So weekend after weekend I traveled out to the metro to document as many broken escalators as I could find and why! Some things surprised me, some things didn't, but by the end I had a new knowledge about these escalators and series of pictures on Flickr (the site we use for class to turn in our photos) showcasing what I found.
The Washington Metro Area Transit Authority (WMATA) is a tri-jurisdictional government agency authorized by Congress, that operates transit service in the Washington, D.C. metropolitan area, including the Washington Metro and Metrobus. They have been accused several times of being negligent with their maintenance. In October 2010 an escalator at the L'Enfant Plaza station had its breaks malfunction causing it to accelerate out of control and injure 5 people. This sparked an independent audit to show why so many of them broke that often. Then, in February 2011 a Foggy Bottom Station Metro escalator completely collapsed, at the bottom, injuring three people. WMATA has put forth an action plan to improve the operation and safety of these escalators, including a full modernization of many of its escalators. The work at these stations involves the removal, refurbishment or replacement of all escalator parts including existing escalator steps, handrails, safety devices, and the electrical systems within the units. Each modernization should take approximately 12 weeks to complete.
You can see the full set HERE.
I would like to especially thank a good friend, fellow Hoosier (person from Indiana), and a documentarian/wikipedian herself, Sarah Stierch for helping me get some exposure to this project by adding it to her site, The Culture Feed and allowing me to get over 200 views on Flikr. I hope you enjoyed seeing these and maybe even learning something about WMATA. Stay tuned! Summer semester just started and the next style I'm absorbing is "Night and Lowlight Photography". Wish me luck! And you can see ALL the work I do for school down on the link below on our Flickr page!
Thanks for reading!
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